There's no description of the technical differences between these, but they do provide a number of variations in tone, and these are fundamentally good‑sounding filters, whatever option you choose. As well as having low‑pass, high‑pass and band‑pass types and selectable slopes of 12, 24 and 48 dB/octave, you have the choice of 11 different 'characters': FabFilter One, Smooth, Raw, Hard, Hollow, Extreme, Gentle, Tube, Metal, Easy Going and Clean.
All three are heavily based upon FabFilter's, er, filters - and their highly flexible modulation architecture - but used in different ways.įabFilter are clearly proud of said filters, given that they named the company after them! And perhaps they have reason to be proud, given the extremely flexible nature of the filters in question. Timeless 2 is a tape‑delay emulation, Twin 2 is their take on a virtual analogue synth, and Volcano 2 is a powerful multi‑mode filter. The latest versions and 30-day trials are available for download now at extensive modulation options available in all the FabFilter plug‑ins are augmented in Twin 2 by X‑Y pads.įabFilter's powerful plug‑in suite brings us advanced modulation possibilities, filters with multiple personalities, and plenty of overdrive.įabFilter's Creative range comprises three plug‑ins. The updated plug-ins are fully compatible with previous versions.
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“Porting that to the Apple Silicon Mac was a relatively easy and quick process, but, of course, we took the time to further fine-tune our code to tailor it to the new M1 processors.”Īs well as giving early adopters of the M1 MacBooks and Mac mini their first taste of a bright third-party plugin future on Apple Silicon, the updates also fix a number of bugs, as well as adding support for Dolby Atmos 7.0.2 and 7.1.2 in the VST3 version of Pro-L 2 and Pro-Q 3, and optimizing various distortion styles in Saturn 2. “We’ve been making plugins for iOS for years, so we were already familiar with ARM processors and have done a lot of ARM-specific optimization work over time,” says FabFilter co-founder Frederik Slijkerman. And drawing on their extensive experience of porting to iPad, the company didn’t stop there, going on to optimize CPU usage across their product line specifically for M1. Every effect and instrument in the range – from the Pro-Q 3 equalizer, Pro-L 2 true peak limiter and Pro-C 2 compressor, to the Pro-R reverb, Saturn 2 multiband distortion, Twin analogue synth and beyond – now loads natively in macOS Big Sur running on Apple Silicon (or as a Universal Binary on Intel Macs), in VST2, VST3 and AU formats.
#FABFILTER TIMELESS 2 CPU PRO#
Spearheading that optimization in the pro audio sector, FabFilter is proud to announce the introduction of Apple Silicon compatibility across its entire catalogue.
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However, while the Rosetta 2 translation layer that enables software written for Intel processors to be used on Apple Silicon is impressive in its speed and stability, it’s not until that software is optimized for native deployment that the full potential of Apple Silicon can be realized. Apple’s new M1 processor-based computers look set to kickstart a revolution in creative computing with a groundbreaking combination of performance and efficiency.
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